the church of the
ascension
in the city of
new york
the church of the
ascension
in the city of
new york
For more than a half a century, Sir Edwin Alfred Grenville Manton and Lady Florence Manton were known to generations of Ascension clergy and parishioners as "Jim and Gretchen." Next-door neighbors to the church in Greenwich Village, they were active in the parish throughout their lives in New York, and Jim Manton served as a warden and vestry member for many years. Their volunteer efforts helped sustain the parish through the course of many rectors and their generosity during their lives and by bequest continues this day to support the daily life, worship and programs of Ascension.
A British subject until his death and a great collector of British art, especially the paintings of Constable, Jim Manton was knighted and became Sir Edwin in 1994 in recognition of his charitable contributions to the Tate Gallery in London; in fact, he was, after Sir Henry Tate, the most generous benefactor in the gallery's history. But before and after that event, Mr. and Mrs. Manton's generosity toward the Church of the Ascension was unequaled in our parish history. In addition, they had a special love of great music and valued Ascension's unique place in the history of sacred music in America.
Gretchen Manton died in 2003; Jim Manton in 2005. They are survived by their daughter Diana, an alumna of Ascension's Sunday School. To honor their memory, The Manton Family Foundation chose a most appropriate gift to the parish by which to remember these two loyal parishioners: the first French-built organ ever to be installed in New York City, which will be, upon its completion, one of the premier organs in the world and possibly the finest such instrument in America.
Built by Pascal Quoirin of St. Didier, a town near Carpentras in Provence, France, the Manton organ is to be completed by the end of 2010. The core of the instrument will be a three-manual classical organ (Grand-Orgue, Positif, Echo/Récit, and Pédale) controlled by a three-manual mechanical action console. A second console of four manuals with electric action will control the classical core as well as many other stops intended for symphonic repertory, including a large French Romantic Grand Récit Expressif. In particular, the organ has been designed to play the works of Olivier Messiaen, and includes every registration called for by Messiaen.
The instrument will be situated in the front of the church on two sides of the chancel. Four organ facades—two on each side—will include elaborate wood carvings of peacocks, inspired by the peacocks of the church's marble reredos. Two trompettes en chamade, one on each side of the chancel, will face each other in the manner of the historic Spanish organs.
(Click on the designer's illustrations below for larger versions of the images.)
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| South Aisle | South Chancel | ALTAR | North Chancel | North Aisle |
Mechanical Console |
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| Grand-Orgue (Manual I) – 61 notes
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16 |
Montre | 61 |
2 |
Doublette | 61 |
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16 |
Bourdon | 61 |
2 |
Flûte | 61 |
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8 |
Montre | 61 |
Grande Fourniture 2 rgs | 61 |
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8 |
Flûte harmonique | 61 |
Fourniture 4 rgs | 244 |
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8 |
Bourdon | 61 |
Cymbale 4 rgs | 244 |
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8 |
Gambe | 61 |
Grand Cornet 7 rgs [TF] | 308 |
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5 1/3 |
Grosse quinte | 61 |
16 |
Bombarde | 61 |
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4 |
Prestant | 61 |
8 |
1ère Trompette | 61 |
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4 |
Flûte octaviante | 61 |
8 |
Trompette harmonique * | 61 |
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3 1/5 |
Grosse tierce | 61 |
4 |
Clairon | 61 |
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2 2/3 |
Quinte | 61 |
Tremblant | ||||
2 2/3 |
Nazard | 61 |
* en chamade |
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Positif (Manual II) – 61 notes
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16 |
Quintaton | 61 |
1 3/5 |
Tierce | 61 |
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8 |
Montre | 61 |
1 1/3 |
Larigot | 61 |
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8 |
Flûte | 61 |
1 |
Flageolet | 61 |
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8 |
Bourdon | 61 |
Fourniture 4 rgs | 244 |
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8 |
Salicional | 61 |
Cymbale 3 rgs | 183 |
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4 |
Prestant | 61 |
16 |
Basson | 61 |
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4 |
Flûte | 61 |
8 |
Trompette | 61 |
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2 2/3 |
Nazard | 61 |
4 |
Clairon | 61 |
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2 |
Doublette | 61 |
8 |
Cromorne | 61 |
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2 |
Quarte de Nazard | 61 |
Tremblant |
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Récit-Echo (Expressif) (Manual III) – 61 notes
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8 |
Bourdon | 61 |
8 |
Trompette | 61 |
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4 |
Flûte | 61 |
8 |
Basson-Hautbois | 61 |
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2 2/3 |
Nazard | 61 |
8 |
Voix humaine | 61 |
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2 |
Quarte de Nazard | 61 |
8 |
Clarinette | 61 |
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1 3/5 |
Tierce | 61 |
Tremblant | ||||
Pédale – 32 notes
|
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32 |
Bourdon | 32 |
4 |
Flûte [ext. 8' Bourdon] | 12 |
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16 |
Flûte | 32 |
3 1/5 |
Grosse Tierce [ext.] | 12 |
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16 |
Principal | 32 |
2 |
15ème [ext. Prestant] | 12 |
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16 |
Bourdon [ext. 32'] | 12 |
Fourniture 4 rgs | 128 |
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10 2/3 |
Quinte | 32 |
32 |
Bombarde | 32 |
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8 |
Flûte [ext. 16'] | 12 |
16 |
Bombarde [ext.] | 12 |
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8 |
Violoncelle [ext. Principal] | 12 |
16 |
Basson | 32 |
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8 |
Bourdon | 32 |
8 |
Trompette | 32 |
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6 2/5 |
Grande Tierce | 32 |
8 |
Basson [ext. 16'] | 12 |
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5 1/3 |
Grand Nazard [ext. Quinte] | 12 |
4 |
Clairon [ext. Trompette] | 12 |
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4 |
Prestant | 32 |
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Electric Console |
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| Grand-Orgue (Manual I) – 61 notes
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16 |
Montre | — |
2 2/3 |
Nazard | — |
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16 |
Bourdon | — |
2 |
Doublette | — |
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8 |
Montre | — |
2 |
Flûte | — |
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8 |
Second | 61 |
Grande Fourniture 2 rgs | — |
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8 |
Flûte harmonique | — |
Fourniture 4 rgs | — |
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8 |
Bourdon | — |
Cymbale 4 rgs | — |
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8 |
Gambe | — |
Grand Cornet 7 rgs [TF] | — |
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5 1/3 |
Grosse quinte | — |
16 |
Bombarde | — |
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4 |
Prestant | — |
8 |
1ère Trompette | — |
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4 |
Second | 61 |
8 |
Trompette harmonique * | — |
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4 |
Flûte octaviante | — |
4 |
Clairon | — |
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3 1/5 |
Grosse tierce | — |
Tremblant | ||||
2 2/3 |
Quinte | — |
8 |
Trompette harmonique * | GRéc |
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Positif (Manual II) – 61 notes
|
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16 |
Quintaton | — |
1 1/3 |
Larigot | — |
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8 |
Montre | — |
1 |
Flageolet | — |
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8 |
Flûte | — |
Fourniture 4 rgs | — |
|||
8 |
Bourdon | — |
Cymbale 3 rgs | — |
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8 |
Salicional | — |
16 |
Basson | — |
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4 |
Prestant | — |
8 |
Trompette | — |
||
4 |
Flûte | — |
4 |
Clairon | — |
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2 2/3 |
Nazard | — |
8 |
Cromorne | — |
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2 |
Doublette | — |
Tremblant | ||||
2 |
Quarte de Nazard | — |
8 |
Trompette harmonique * |
GRéc |
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1 3/5 |
Tierce | — |
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Grand Récit Expressif (Manual III) – 61 notes, located on North (Liturgical South) side of Chancel
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16 |
Bourdon | 61 |
2 |
Octavin | 61 |
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8 |
Principal | 61 |
1 3/5 |
Tierce | 61 |
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8 |
Flûte harmonique | 61 |
Plein-jeu 5 rgs | 305 |
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8 |
Bourdon | 61 |
Sur-cymbale 3 rgs | 183 |
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8 |
Gambe | 61 |
16 |
Basson | 61 |
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8 |
Céleste | 61 |
8 |
Trompette | 61 |
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8 |
Æoline | 61 |
4 |
Clairon | 61 |
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8 |
Céleste | 61 |
8 |
Basson-Hautbois | 61 |
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4 |
Prestant | 61 |
8 |
Voix humaine | 61 |
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4 |
Flûte octaviante | 61 |
Tremblant | ||||
2 2/3 |
Nazard harmonique | 61 |
8 |
Trompette harmonique * |
61 |
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Récit-Echo (Expressif) (Manual IV) – 61 notes
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8 |
Bourdon | — |
8 |
Basson-Hautbois | — |
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4 |
Flûte | — |
8 |
Voix humaine | — |
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2 2/3 |
Nazard | — |
8 |
Clarinette | — |
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2 |
Quarte de Nazard | — |
Tremblant | ||||
1 3/5 |
Tierce | — |
8
|
Trompette harmonique * | GRéc |
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8 |
Trompette | — |
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Pédale – 32 notes
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32 |
Bourdon | — |
4 |
Flûte | — |
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16 |
Flûte | — |
3 1/5 |
Grosse Tierce | — |
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16 |
Principal | — |
2 |
15ème | — |
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16 |
Bourdon | — |
Fourniture 4 rgs | — |
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16 |
Petit Bourdon | GRéc |
32 |
Bombarde | — |
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10 2/3 |
Quinte | — |
16 |
Bombarde | — |
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8 |
Flûte | — |
16 |
Basson | — |
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8 |
Violoncelle | — |
8 |
Trompette | — |
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8 |
Bourdon | — |
8 |
Basson | — |
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6 2/5 |
Grande Tierce | — |
4 |
Clairon | — |
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5 1/3 |
Grand Nazard | — |
8 |
Trompette harmonique * | GRéc |
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4 |
Prestant | — |
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* en chamade |
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Read about the history of the organs at the Church of the Ascension on the Web site of the New York City Chapter of the American Guild of Organists.
A campaign to protect and renew the Church of the Ascension. Please help us preserve our historic church and prepare the way for one of the world's leading new pipe organs.